likgiltighet.

++

happy birthday to my dearest.

No secret keeper.

Found this gem for Silver Factory.

sound/noise/performance/installation

A Resonant Tomb. by Barrie James Sutcliffe.

"A Resonant Tomb" is a sound installation about distance, either through space, time, medium, or death. How does the shape of our longings persist over time? How does it change—would we be able to recognize it? Through the use of two opposing radio stations on the same frequency, "A Resonant Tomb" provides us room to contemplate the difficulty of communication and separating signal from noise. Moving through this space, we are aware of our own body's affect on our surroundings and of the information passing through us. The old, not yet dead, media plays with our memories, crackling with the nostalgic resonating echoes of that which was, that which could be, and that which has been only a comfortable dream.

(text taken from youaredissolved.com fotos by me.)

flyttar.

önskar att jag flyttade längre än andra sidan stan.

essentials for living. by lulu

1.unknown 2.martinpetersen 3.sunfeifei

breakfast.

transparent.

blind.

make out. move on.

Two men I love in one picture.

Polaroid of Yves Saint Laurent by Andy Warhol.

Saw YSL. L'Amour Fou today. About Yves and Pierres love and life.

Marrakech, room full of books and portraits of their friends.

Lou Lou de la falaise.

Alcohol and drug addiction.

Life long depression.

And a whole art collection turning into numbers.

Glamtragik.

cirkus ungdom, desperat minutlycka.

Visual orgasm.

He die cut his story within a story.

Out of Bruno Schulz's "Street of crocodiles".

Jonathan Safran Foer's new book. "Tree of Codes".

Published by Visual Edition.

doing nothing.

missed it. missed us.

café and bread.

and porn. kitchen-porn. fashion-porn. package-porn.

origami monsters.

pizza and wine.

▲

about five years to late.

corps sculpture 1964-1967

ORLAN.

Mostly known for her surgeries during the nineties. "The reincarnation of Saint-Orlan" Where she transformed herself into elements from paintings and sculptures of women. She picked Boticellis Venus' chin, Jean-Léon Gérômes Psyche's nose, Leonardo's Mona Lisas forehead, the lips of Francois Boucher's Europa and the eyes of Diana in a Fontainebleu painting from the sixteenth-century. Every each of them because of their stories, not for their canons in their beauty they represent. Psyche for her fragility and vulnerability within her soul, Dianas power over godesses and women but inferior to the gods and men, Mona Lisa for her beauty and anti-beauty, Europa for her adventure and Venus for her carnal beauty.

I'm in awe for her belief in art, and how she as an artist has chosen to approach and attack problems within and without the boundaries in art and femininity.

ORLAN.net

linxiaotong.

sublime.

extended sessions.

second-line.

vast.

vapour.

diminished.